First of all, here's wishing Branwell Brontë a happy 209th birthday.
After the release of the trailer of this year's adaptation of Jane Austen's Sense and Sensibility, Stylist claims 2026 is a great year for period drama lovers. It’s safe to say that we’ve been well and truly spoiled for choice this year when it comes to period dramas. Whether it’s Wuthering Heights, The Other Bennet Sister, The Forsytes or Little House On The Prairie, if you’re a fan of the genre, there are plenty of titles vying for a much-coveted spot on your watchlist. (Abby Allen) Metro also comments on the trailer: This is no Wuthering Heights wild interpretation, but the film, directed by Georgia Oakley (Blue Jean), looks like it has more than a whiff of award season prestige – while also offering up a few surprises. (Tori Brazier) Slant Magazine lists the best albums of 2026 so far and one of them is Charli XCX, Wuthering Heights Charli’s Wuthering Heights soundtrack sonically mirrors the film’s penchant for bodice-ripping bombast and grief while standing on its own. It’s often loud and discordant, filled with droning synths and screeching strings that underlie Charli’s digitally manipulated vocals. And yet, somehow the album manages to be as startling and satisfying as a clandestine carriage-house hook-up. Many of its highlights spring from the production styles crashing up against or bleeding into one another. The strings, arranged by Gareth Murphy, prove a welcome addition to Charli’s usual soundscape, bringing a wry grandeur to her hyper-pop instincts that anachronizes and cinematizes her music a la early Lana del Rey. In less than 90 seconds, the interlude “Open Up” nearly wordlessly evokes the fatalistic heartache forever embedded in the rock walls of Wuthering Heights—the kind of tragedy that feels both timeless and as pressing as ever. (Savio)
Vulture has an article on how Charli XCX met John Cale. It started when she was working on the song “House,” for the Wuthering Heights soundtrack, and remembered Cale saying, in a documentary, that he wanted to make his strings sound “both elegant and brutal.” Given that she’d had a similar goal for “House,” she suddenly had an idea. “I thought, Do you think I could reach out to John Cale?” she says to host Bella Freud. “I started asking the question out loud, not sure what the answer would have been.” She found a way to get into contact with him, and they set up a call. Unfortunately, on the day of the chat, she forgot it was happening. “The day that we were supposed to speak, I was having a really bad day,” Charli recalled. “I was my very unregulated self.” In the midst of crying with her husband, George Daniel, she got a call. “I picked up the phone, and there was this voice on the end that was gravelly and deep and Welsh,” she said. “I was like, ‘Who is this?’” It was John Cale. “I was like, Oh my God, John Cale is calling me mid-breakdown,” Charli remembered. “I told him, ‘I’m having a bad day, John, but speaking to you on the phone is making me feel so much better.’” Clearly, it worked out. (Jason P. Frank)
Hindustan Times discusses 'Why TV and movies are saying Yes Yes Yes to steamy scenes'. Even the classics are getting explicit. Emerald Fennell’s Wuthering Heights (2026) wraps both Margot Robbie and Jacob Elordi in yearning, with BDSM scenes featuring one woman getting whipped in a horse bridle, another chained to the fireplace, crawling on all fours as a willing pet. None of this was in Emily Brontë’s book. Neither was the pink bedroom that we’re told it’s the exact colour of Cathy’s naked skin. (Kritika Kapoor) Two forthcoming Most Wuthering Heights Days Ever: at the Pacific Beach Library on July 18 as reported by The San Diego Union-Tribute and on the lawns next to the Wagga Wagga Civic Theatre on 19 July 2026 as reported by the City of Wagga Wagga. A columnist from La Diaria (Uruguay) comments on all things Wuthering Heights.
An alert from Pleasantville, NY, for tomorrow, June 27: Saturday, June 27
14.00 h Wuthering Heights 1939 1939. 104 m. William Wyler. Park Circus. US. English. Rated NR.
Laurence Olivier, Merle Oberon, David Niven, and Geraldine Fitzgerald star in William Wyler’s Academy Award-winning adaptation of Emily Bronte’s tale of passion, hatred, and revenge. Hailed as a “timeless masterpiece,” Wuthering Heights is the story of a tortured love affair between Heathcliff and Cathy, her escape by marriage to the wealthy Edgar and Heathcliff’s savage retaliation upon the woman he loves. Olivier portrays Heathcliff the jilted lover who bides his time before extracting his vicious vengeance; Oberon is Cathy, object of Heathcliff’s affections; Niven is Edgar, who steals Cathy from Heathcliff; and Fitzgerald is Isabella, Edgar’s sister who Heathcliff marries in an attempt to gain a measure of revenge. Wyler’s film was nominated for seven Academy Awards and won the Oscar for Best Cinematography.
Join us after the film for a Q&A with Professor Deborah Lutz, author of This Dark Night – Emily Brontë, A Life, the new acclaimed biography of Emily Brontë. Copies of the book will be on sale courtesy of The Village Bookstore.
Smithsonian Magazine features the first edition of Wuthering Heights which is to be auctioned next week. When Emily Brontë published Wuthering Heights in 1847, several critics used the word “strange.” As the New York Times’ B.D. McClay points out, one review simply began, “This is a strange book,” while others described the novel as “strangely original” and “a strange, inartistic story.” “Wuthering Heights is a strange sort of book—baffling all regular criticism; yet, it is impossible to begin and not finish it,” another observed. “We strongly recommend all our readers who love novelty to get this story, for we can promise them that they never have read anything like it before.” The novel’s first edition was divided into two volumes, released alongside a third volume containing Agnes Grey, a novel by Emily’s younger sister, Anne. Each one was covered with green-grey cloth, with arabesques and floral patterns decorating the cover. The siblings published under the pseudonyms Ellis and Acton Bell. Of the estimated 250 copies printed, only a few complete copies survive with their full-cloth binding intact. On June 30, Christie’s will sell the first edition’s three volumes in one lot at an auction in London, where the collection is expected to go for between $540,000 and $800,000. “The last time one appeared at auction was in 1908, so no collector alive has had a chance to acquire one,” Mark Wiltshire, a books and manuscripts specialist at Christie’s, tells the Art Newspaper’s Maev Kennedy. “Private and public collectors all over the world will want this book.” When Emily and Anne saw the printed editions, they realized that the books contained a numbllings of “Agnes Grey” (“Anges Grey”) and three misspellings of “Heights” (“Heer of errors. Some pages were marked with the wrong numbers, while others contained incorrect or missing punctuation. Perhaps the most egregious mistakes were six misspeghts”). In letters written in the weeks after publication, their sister Charlotte complained that the volumes were full of “errors of the press” that she described as “mortifying.” Writing under the pseudonym Currer Bell, Charlotte had published her own debut novel, Jane Eyre, earlier the same year, and it had been an immediate success. She was deeply protective of her younger sisters, and she was disappointed that their publisher, Thomas Cautley Newby, had allowed so many mistakes to make it to press. “If Mr. Newby always does business in this way,” she wrote, “few authors would like to have him for their publisher a second time.” Newby hoped to capitalize on the popularity of Jane Eyre, but Wuthering Heights, which explored darker themes, didn’t enjoy the same level of success. Readers were “shocked, disgusted, almost sickened by details of cruelty, inhumanity and the most diabolical hate and vengeance,” according to Douglas Jerrold’s Weekly Newspaper. North American Review criticized the novel, writing that “Nightmares and dreams, through which devils dance and wolves howl, make bad novels.” Wuthering Heights follows Catherine Earnshaw, a young girl who lives with her family in northern England, and Heathcliff, an orphan who grows up alongside them. The pair forms an inextricable bond that breeds misery across two generations. The story is set against the dramatic, untamed moors of Yorkshire—which is also where the Brontë siblings grew up. [...] Emily didn’t live to see her novel become so beloved, admired by the likes of Ernest Hemingway, Joan Didion and Virginia Woolf. “The impulse which urged her to create was not her own suffering or her own injuries,” Woolf wrote in 1925. “She looked out upon a world cleft into gigantic disorder and felt within her the power to unite it in a book.” The novel has inspired art, music and film, in addition to literature. “It remains a work that artists return to again and again because of its emotional force, its atmosphere and its psychological intensity,” Wiltshire tells the Associated Press’ Jill Lawless. Few surviving first-edition copies still have their original binding. Wiltshire has only been able to track down five others: Three are in the university libraries of Leeds, Oxford and Princeton universities, according to a statement, while the fourth is housed at the British Library in London. The fifth, which contains Charlotte’s annotations, is missing several pages, and it sold for $86,500 in 2009. (Ellen Wexler)
Another mistake no one seems to be mentioning is the fact that on the title page it says
Wuthering Heights A novel By Ellis Bell In three volumes
When it was in two volumes plus Agnes Grey.
largely inspired by the wild beauty and dramatic landscapes of Top Withens and the Yorkshire moors that the Brontës capture in their work. (Laura Reid)
Another recently-published Brontë-related paper:
Zhiying Zhang
Charlotte Brontë's Villette (1853) is a novel profoundly concerned with the act of looking and being looked at. Vision in the novel is never neutral; rather, it is bound up with power, desire, moral judgment, and gendered discipline. In particular, the ekphrastic episode of the Cleopatra painting in Chapter XIX has elicited substantial critical commentary and functions as a focal point for discussions of gender, spectatorship, Orientalism, aesthetics, and narrative authority. (...)
‘Wuthering Heights’ by Emily Brontë With more than 20 film and TV adaptations of Wuthering Heights, the classic story between Heathcliff and Catherine has been told in a number of ways—including a song by Nicks. While she was inspired to write “Wild Heart” after watching an adaptation of the story on the big screen, she’s been a fan of the books since her college days. “I first read Jane Eyre and Wuthering Heights when I was in college in California in the late 1960s,” Nicks shared. “They are two of my favorite books because they’re just so brilliantly written. The beauty of both these classics is that they were fantastic when I was a teenager and they still appeal to me now as a 63-year-old woman.” While those classic novels left a lasting impression on Nicks, literature wasn’t her only creative influence. Film also played a major role in shaping her songwriting. In fact, the singer has shared that seeing Wuthering Heights inspired her to write the title track for her 1983 album, Wild Heart. “I’d written “Wild Heart” early on,” Nicks recalled. “I remember singing it during a Rolling Stone cover shoot for Bella Donna [which came out in 1981] and I wrote it completely and utterly about the movie Wuthering Heights. I wrote it about Heathcliff and Cathy, and the fact that they were one person, that they couldn’t be together and they couldn’t be separate, and about the power and the drama of the closing death bed scene… All those amazing things he says to her.” (Julianne MacNeill)
Tell us about Possession from your perspective … Tonally, it’s Modern Gothic. A woman travels to a remote location. A foreboding ‘house on the hill‘. She has this vague feeling that something terrible is about to happen (spoiler – it does). It’s the same set-up as Jane Eyre, Dracula, or The Woman in Black, but it centres around the experience of a woman of colour in the present day. (Tamika Mitchell)
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