Today, February 4, is the opening of the Brontë Parsonage Museum's new exhibitions:. The Colonial BrontësWed 4 Feb 2026 – Fri 1 Jan 2027. Our 2026 exhibition examines the period of exploration, conquest and intercultural encounters of the late 18th ...
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"BrontëBlog" - 5 new articles

  1. The Colonial Brontës and Wuthering Heights on the big screen
  2. Edward Ferrars is not Edward Fairfax Rochester
  3. Mexican Themed Menu
  4. Is it an indignity for Emily Brontë?
  5. Heirloom Edition
  6. More Recent Articles

The Colonial Brontës and Wuthering Heights on the big screen

Today, February 4, is the opening of the Brontë Parsonage Museum's new exhibitions:
Wed 4 Feb 2026 – Fri 1 Jan 2027

Our 2026 exhibition examines the period of exploration, conquest and intercultural encounters of the late 18th and early 19th centuries and shows the extent to which the Brontë siblings were fascinated by colonial military campaigns and British missionary activity.
The Brontë children invented their own colonies collectively called the Glass Town Federation. Using miniature handwriting - supposedly produced by their twelve toy soldiers – the siblings wrote poems, sagas and magazines which drew extensively from their colonial reading material, fictionalising real-life territorial battles, British military figures and Asante warriors. Their later novels were defined by the young Brontës’ exploration of missionary and racial themes.
Haworth was geographically remote from Britain’s colonies but Yorkshire had strong historical ties to Africa and the West Indies. A new film adaptation of Emily Brontë’s Wuthering Heights has resurrected longstanding debates about Heathcliff’s racial identity. This exhibition provides resonant historical details about people of African descent who worked in Yorkshire between 1771 – the date Emily’s story reaches back to - and the author’s death in 1848.   
The Colonial Brontës is co-curated by Professor Corinne Fowler, Honorary Professor of Colonialism and Heritage at University of Leicester and author of Our Island Stories: Country Walks Through Colonial Britain.
Wed 4 Feb – Mon 31 Aug

Many people have crossed paths with Wuthering Heights whether through music, film, television, stage or radio. Each adaptation brings a new perspective and introduces new audiences to the works of the Brontë sisters.
The first film of Wuthering Heights was filmed in 1920 on location in Haworth. Since then, many adaptations have flickered to life on the big screen. 
2026 welcomes a new vision of Emily Brontë’s classic novel from Oscar-winning writer Emerald Fennell, starring Margot Robbie as Catherine Earnshaw and Jacob Elordi as Heathcliff. The film will also feature original songs by Charli xcx. Haunt Me Then…and Now looks over the years at the different adaptations of Wuthering Heights from across the globe.
   

Edward Ferrars is not Edward Fairfax Rochester

A blunder for this Monday: ATV has an article on a recent survey (supposedly carried out by Lego Botanicals) in which a quote from Sense and Sensibility 1995 is misattributed to Charlotte Brontë. The survey also includes a quote from Wuthering Heights.
A new study of 2,000 UK adults has uncovered the most romantic written lines of all time, drawing on classic literature, poetry, film and song to pinpoint the phrases that still make hearts flutter in 2026. And while the nation clearly still cherishes grand declarations of love, the research suggests many of us are quietly losing the confidence to put our own feelings into words.
Topping the poll is Charlotte Brontë’s enduring promise from Jane Eyre:
“My heart is, and always will be, yours.”
A line that has survived nearly two centuries — and still beats every modern text message hands down. [...]
Emily Brontë’s Wuthering Heights also secured its place in the nation’s heart, with Catherine Earnshaw’s declaration of spiritual unity — “Whatever our souls are made of, his and mine are the same” — continuing to define literary passion at its most intense. (Liz Charlton)
Daily Mail had an article about this survey a few days ago and attributed the quote rightly.

AnneBrontë.org has a post on Anne's poem 'My God! O Let Me Call Thee Thine!'
   

Mexican Themed Menu

To accompany the release of Wuthering Heights 2026 in México, Cinépolis is offering a themed menu available exclusively in their VIP screenings. The package is priced at 599 pesos per person and includes three alcoholic drinks made with Topo Chico, a snack mix of boneless wings, tequesitos, and chips, along with the movie ticket.

The promotion is currently available for presale and can only be redeemed in VIP rooms at select locations in Mexico City, including Universidad, Paseo Arcos Bosques, Samara, Miyana, Mitikah, and Ecatepec. 

Source: Dondeir

   

Is it an indignity for Emily Brontë?

The Telegraph & Argus announces the launch of the Essie Fox retelling of Wuthering Heights, Catherine. Next February 12 in Haworth:
The global launch of Catherine by bestselling gothic novelist Essie Fox will take place at 6pm on Thursday, February 12, at St Michael and All Angels' Church in Haworth, where Emily Brontë once worshipped.
The book, a reimagining of Brontë’s Wuthering Heights, offers a fresh perspective by telling the story through the voice of Catherine.
Essie Fox will be joined by Claire O'Callaghan for a discussion on Wuthering Heights, and both will read from their books, answer questions and sign copies.
Copies of the Special Edition Sprayed Edge first edition of Catherine will be available.
Diane Park, owner of Wave of Nostalgia bookshop, said: "Last year we organised more than sixty author, book or community events attended by over 2,500 people.
"We’re really proud of what we achieved and what an important role we have come to play in the community.
"This year’s programme is starting with a bang with two very special events in February, which we know local people will love." (Francis Redwood)
The novel is also highlighted in The Sunday Times:
Book cover for "Catherine: A retelling of Wuthering Heights" by Essie Fox, featuring gold ornate designs on a dark blue background with a house, birds, and butterflies.
Essie Fox’s previous novels have been excursions into the historical gothic. In her new book she has turned to one of the genre’s founding texts — Wuthering Heights by Emily Brontë — and reimagined it just in time for Emerald Fennell’s imaginative film adaptation, starring Jacob Elordi and Margot Robbie. It’s told through the eyes of Catherine Linton, a ghost returned from the grave to provide her version of her turbulent relationship with the foundling Heathcliff and the tragedies that ensue. Fox has created a haunting work in its own right. As the publisher’s publicity proclaims: “Nelly Dean told only half the story.” Those unfamiliar with Wuthering Heights will struggle with Catherine, but for readers who love the original, Fox’s interpretation provides an extra dimension and new perspectives on one of literature’s best known tales of doomed love. (Nick Rennison)
Anusua Mukherjee in The Hindu is pretty sure that Emerald Fennell's new film will not only be bad, but an insult to Emily Brontë:
 If love is thought of not as “naughty and nice” but as a transgressive, disruptive force that upends the order of society, unleashing chaos and causing collateral damage, then WH is a love story. However, we mustn’t forget that Catherine and Heathcliff’s love story is not the only one in WH. Emily offers an alternative in the story of Cathy and Hareton who, in their normalcy, sew up the rents made in the social fabric by Catherine and Heathcliff. The Nellys and Lockwoods of the world win the day.
But in between, we are shown how society itself creates the criminals it later condemns. The child Heathcliff is tortured by Catherine’s brother, Hindley, simply because he is weak and looks foreign. If Heathcliff later turns against Hindley, he has good reasons for acting so.
Emily also shows that good breeding does not guarantee a sound character. Hindley, born a gentleman, turns into a wastrel. And civility proves to be something brittle, crumbling into dust under duress. Desperation turns Catherine’s sister-in-law, Isabella, from a meek, mild-mannered woman to a scheming shrew in the blink of an eye. Hindley, Catherine’s husband, Edgar, and Isabella—the representatives of the feudal rich in WH—almost justify Heathcliff’s hatred of the pampered class although they do not deserve the violence he directs against them.
Ever since WH was published, critics have wondered how this slip of a girl called Emily Brontë, who lived her whole life in a secluded parsonage, who probably never had a lover and who never moved in elite social circles, could write a novel so layered, so quietly critical, that too in her 20s. Catherine and Heathcliff have been called forces of nature in their obstinacy, mercilessness, and readiness to smite social norms, but Emily does locate them firmly in society, if only to demonstrate why they cannot be accommodated. She probably would have sided with these two rather than with the genteel, lily-livered Thrushcross Grange set, but that is fond speculation.
Although very little is known about Emily, we do know that she was greatly fond of animals, especially dogs. WH is full of dogs who growl and threaten, but also shove a comforting nose into the hands of their owners, showing “humanity” while the humans around them behave like beasts. In one of his longest monologues in the novel, Heathcliff tells Nelly that he has toughened Hareton by teaching him to “scorn everything extra-animal as silly and weak”. This might be the closest we get not just to Heathcliff’s heart but also to his creator’s.
I do not have much expectations of Fennell’s Wuthering Heights, which is releasing on February 13, to cash in on Valentine’s Day fervour. As I explained, to see WH as an erotically charged love story is to insult Emily Brontë. One of the only female writers to have survived in the literary canon that is still overwhelmingly male, Emily Brontë surely does not deserve this indignity.
Nevertheless, many others expect the film with varying kinds of enthusiasm: The Free Press Journal, Azat TVÁmbito, ScreenRant, Inkl, La Gaceta...

The looks of Margot Robbie on the Wuthering Heights promo tour are discussed in Women, Who What Wear, Glamour, Telva and Instore. Her curls in Vogue Singapore. The Taj Mahal jewel has its own controversy, as can be read in The Telegraph India. The Daily Mail analyzes the PR and marketing campaign of the film:
Speaking on behalf of OLBG, Kayley [Cornelius] shared: 'What Emerald Fennell has done with Wuthering Heights is a near-perfect example of how modern film marketing now works, because she has deliberately sparked a level of controversy that has encouraged the public to do the promotional heavy lifting for her. 
'In today’s landscape, traditional billboard and out-of-home advertising simply do not hold the same influence they once did and can often become one of the most expensive and least effective parts of a marketing budget. 
'By contrast, social advertising and online visibility are now the most cost-effective ways to promote anything, particularly when that visibility is being driven organically through user-generated content. 
'Creating something controversial is far more likely to spread a message further and wider than any billboard ever could, and that is exactly what is happening here. 
'The backlash around the trailer and casting has dominated social media feeds, opinion columns and group chats, keeping the film front of mind without the studio having to spend heavily on traditional promotion.
'From a PR perspective, this kind of conversation is the marketing team’s dream, particularly at a time when most cinema tickets are booked online, meaning heightened awareness and debate can translate into a higher conversion rate among audiences actively searching for tickets. 
'The volume of free user-generated content alone will have saved the team millions, and it would not be surprising if the total marketing spend for Wuthering Heights sits somewhere around the $20 to $30 million mark, which is effectively pennies when compared to the millions that Barbie spent on marketing.'
Indeed, Fennell did not have the blockbuster budget that one would expect for a film that has generated such buzz. 
She reportedly turned down a $150million bid from Netflix and ended up with a $80million budget from Warner Bros. after they ensured her they would prioritise a theatrical release. (Rebecca Lawrence)

PrimeTimer talks about the presence of Jacob Elordi on the Jimmy Kimmel Show promoting Wuthering Heights 2026. 

Yorkshire Live discusses the rise of the TB infections in the UK, particularly in Yorkshire and Humber. Lesering (Germany) has a post on Wuthering Heights).

   

Heirloom Edition

The premiere of Wuthering Heights 2026 is triggering the publishing of a number of new editions of Wuthering Heights, as we have been posting:
Wuthering Heights
by Emily Brontë
Chartwell Deluxe Editions
ISBN: 9780785848844
February 10th, 2026

Cherish Emily Brontë’s beloved classic for generations with this heirloom edition.
A timeless tale of haunting and passionate love and obsession, Emily Brontë’s Wuthering Heights is one of the most enduring classics in English literature. Originally published in 1847, the novel follows the tragic bond between Heathcliff and Catherine Earnshaw—a relationship that defies social conventions and even death itself. A powerful exploration of human emotion, class, and fate, Wuthering Heights has been embraced by literature lovers across the years.

This stunning collectible edition of Wuthering Heights includes:
An elegant faux-leather cover with foil-embossed designs
Complete and unabridged text
A new introduction by novelist Christina Bartolomeo
A timeline of the life and times of Emily Brontë

A stunning addition to any personal library, this deluxe edition is perfect for readers, collectors, and fans of Gothic romance.

Essential volumes for the shelves of every classic literature lover, Chartwell Deluxe Editions include beautifully presented works from some of the most important authors in literary history. Other deluxe classics from Chartwell include Jane Eyre, Pride and Prejudice, Frankenstein, The Picture of Dorian Gray, Great Expectations, and Crime and Punishment.
   

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