Camy's Loft

A Gentleman Spy Behind the Curtain

A stern-looking Regency gentleman in formal evening dress steps out from behind heavy burgundy curtains in a dark, elegant room. A fire burns in the ornate fireplace nearby, and a single candle casts warm light across the shadowy chamber.

In the far corner of the Senhora’s room, the heavy burgundy curtains twitched, then a man stepped out from behind them. While his feet would have been visible underneath the edge of the curtain, they were hidden from view of anyone sitting near the fireplace by the placement of the Senhora’s desk.

“The last time I hid in a woman’s chamber was more than twenty years ago,” Sir Derrick Bayberry complained. “It was quite suffocating behind the curtain.”

Ignoring his grumbling, the Senhora gestured to one of the seats in front of the fire. Sir Derrick was about to sit on the same sofa as Maner, but he frowned at the cushion. “Mr. Hanson left a stain.”

The Senhora gave a huff of exasperation. “I am not so terrible, am I, that I would frighten a grown man? Englishmen are entirely too fragile.”

Sir Derrick refrained from pointing out that the Senhora had certainly not made an effort to appear more ingratiating, but she knew he was thinking it.

—from Lady Wynwood and the Forbidden Auction

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Click below to read the beginning of Lady Wynwood’s Spies, Volume 1: Archer for free and step into a world of Regency intrigue, danger, and slow-burn romance.

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This post relates to Camille Elliot’s Lady Wynwood’s Spies, a Christian Regency romantic suspense series set in 1811 London and featuring intrigue, espionage, botanical alchemy, slow-burn romance, and themes of faith and redemption.

• Lady Wynwood’s Spies Series Reference Page

• Reading Order: Lady Wynwood’s Spies Reader Journey Roadmap

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You Couldn’t Just Say Hello: Regency Rules of Introduction

In Regency England, a lady could not simply speak to a gentleman—every conversation required a formal introduction. Here’s how it worked, and why it mattered.

Romantic Regency ballroom waltz scene with couple dancing in period costume, white empire waist gown and gentleman in green brocade waistcoat, candlelit historical setting

A Regency ball (illustrative image)

How Did Regency Ladies Meet Gentlemen?

Imagine you are at a ball in Regency-era London.

The chandeliers are blazing, the musicians are playing something lively, and your slippers are already pinching because you insisted on looking elegant instead of sensible.

Across the room, you notice a gentleman—respectable, pleasant, possibly even interesting. Naturally, you might think to walk over and introduce yourself.

… Except you can’t.

Not because you are shy (although you might be). Not because he is surrounded by others (although he might be). But because in Regency society, unless you have been properly introduced, you are not supposed to speak to him at all.

The Small Matter of Being Allowed to Speak

In Regency society, conversation between unmarried ladies and gentlemen was not freely entered into. It required an introduction by a mutual acquaintance, a hostess, or a Master of Ceremonies.

A gentleman was always presented to the lady (never the reverse), and she (or her chaperone) could decline. Accepting implied willingness to dance or converse. Without the introduction, a gentleman should not address a lady, and a lady most certainly should not encourage him.

It sounds terribly restrictive to us, but introductions served as a social safeguard. Reputation was everything, and introductions acted as a filter—ensuring that one was not speaking to someone entirely unsuitable.

(Or at least, not obviously unsuitable.)

Enter the Gatekeeper

A mutual acquaintance, hostess, or Master of Ceremonies often functioned as a social conductor—guiding interactions and deciding who could safely meet.

Regency era ballroom introduction between gentleman and young lady, chaperone present, candlelit setting with period costumes and formal etiquette

Introducing a gentleman to a young lady (illustrative image)

At public assemblies, the Master of Ceremonies often stepped in, as in Jane Austen’s Northanger Abbey, where he introduces Catherine Morland to Henry Tilney so they can dance.

In a private ballroom, the hostess filled that role. Which leads us to this moment from Lissa and the Spy:

Mr. Collingworth came up to her, accompanied by Lady Cliffton, the hostess of the ball. As always, Lady Cliffton’s jewelry—while in good taste—was as flamboyant as the matron. “Miss Gardinier, allow me to introduce Mr. Collingworth.”

Lissa curtseyed, keeping a polite smile on her face, while Mr. Collingworth bowed. In truth, they had been introduced last year, in her first Season, but from the vacant look upon Mr. Collingworth’s face, he had likely forgotten about it.

“Would you do me the honor of a dance, Miss Gardinier?” Mr. Collingworth asked, and Lissa assented.

Re-introductions were actually common and necessary. If a gentleman had forgotten, or the acquaintance wasn’t acknowledged, etiquette dictated they be treated as strangers again.

The Quiet Power of Chaperones

Unmarried ladies, especially those...

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When He Looked at Her Differently

Regency gentleman in a dark coat gazing intently at a young woman in a white Empire-waist gown inside an elegant London townhouse.

Mr. Coulton-Jones’s smile faded and his expression grew serious as he turned and bowed to Mr. Drydale and Lady Wynwood, but when his gaze fell upon Phoebe, there was a strange intensity at the back of his eyes, hidden by his words and his serenity. Despite his beautiful hostess, despite Lady Wynwood’s elegance and Mr. Drydale’s authority, Phoebe alone moved him.

Phoebe had not told Keriah of anything that had occurred between them lately. But his reaction now was novel, as if Mr. Coulton-Jones had been a cold, dark grate, and now there were bright embers banked beneath the ashes.

—from Lady Wynwood’s Spies, Volume 9: Shelter

Curious how it all begins?

Click below to read the beginning of Lady Wynwood’s Spies, Volume 1: Archer for free and step into a world of Regency intrigue, danger, and slow-burn romance.

👉 Read the excerpt now

💌 Prefer to ease into the series?

You can join my newsletter and get a free ebook copy of Lissa and the Spy, a romantic Regency mystery introducing another pair of spies in my world.

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• Lady Wynwood’s Spies Series Reference Page

• Reading Order: Lady Wynwood’s Spies Reader Journey Roadmap

• Email to a friend •

Mr. Verling in Motion

Regency spy Mr. Verling sweeping an attacker off his feet during a dangerous confrontation in Regency London.

Mr. Verling attacked the man closest to Keriah, but instead of aiming at him with his fists, he dropped low and swept his leg in a wide arc. It took the man by surprise, causing him to fall hard upon the ground.

—from Lady Wynwood’s Spies, Volume 9: Shelter

Curious how it all begins?

Click below to read the beginning of Lady Wynwood’s Spies, Volume 1: Archer for free and step into a world of Regency intrigue, danger, and slow-burn romance.

👉 Read the excerpt now

💌 Prefer to ease into the series?

You can join my newsletter and get a free ebook copy of Lissa and the Spy, a romantic Regency mystery introducing another pair of spies in my world.

Reference Footer

• Lady Wynwood’s Spies Series Reference Page

• Reading Order: Lady Wynwood’s Spies Reader Journey Roadmap

• Email to a friend •

The Clue She'd Already Seen

A carved wardrobe. A childhood memory. A symbol that shouldn't exist in two places at once. Meet Phoebe Sauber—and the mystery that's been waiting for her all along.

Phoebe had fallen near her uncle’s ornately carved wardrobe, which stood against the wall between two large windows, and she’d just missed having her head smashed against the wooden edge. God had perhaps saved her from a more nasty injury.

As a child, when she’d come to her aunt’s house to play, she’d spent hours fascinated by the ridiculously elaborate and intricate carvings on the door. It was like a treasure map that would lead to something wonderful if she could decipher it. Staring at the wardrobe door again, the memories came flooding back to her.

Now, she rolled over onto her stomach and reached out her hand to trace the familiar carvings. Those had been the days right after her brother had been born and her mother had died. Right when her father had changed from a parent doting on his only child to a distant man who barely remembered her existence compared to his newborn heir. At the time, she had only been eight years old and hadn’t understood what had been happening, and while her nanny had tried to fill the gap, it had left her feeling lonely and abandoned.

So she had retreated to fantasy stories that were fueled by this old wardrobe.

And then it happened.

It was seeing the wardrobe and remembering those days that did it. She had a flash in her mind’s eye of a wooden floorboard, and a tiny symbol carved into the surface of the wood. The symbol had been barely visible since it hadn’t been filled with blacking to make it stand out, but with a child’s curiosity, she’d seen the strange flaw in the grain of the wood and crawled closer to investigate it.

It had been near the wall, next to the back edge of the wardrobe. Here, in her uncle’s bedchamber.

It had been the same symbol she’d seen just today, on the torn scrap of paper that had been caught by her arrow.

“Aunt Laura!” Phoebe turned and began crawling frantically toward the far wall, to the right of her uncle’s portrait. “Aunt Laura! Where was Uncle’s wardrobe before you moved it?”

“The wardrobe?” All trace of languor was gone from her aunt’s voice. Her light footsteps sounded as she crossed the room toward Phoebe. “No, farther to your right. Yes, there. It stood right there.”

Phoebe began running her hand over the floorboards near the wall. “I interrupted Mr. Michael Coulton-Jones today. He was most certainly doing something illegal, but knowing his personality from years ago when I first knew him, I doubt it was anything treasonous.”

“Treasonous?!” Aunt Laura’s voice was just a tiny bit alarmed.

“My arrow hit the papers he had been holding … or perhaps the other man had been holding them …”

“Your arrow?! Did you shoot at him?”

“Not deliberately.”

“That is not ‘interrupting’ the man, that is attempted murder.”

“It was purely by...

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