20.9MP DX-Format CMOS Sensor EXPEED 5 Image Processor 3.2' 2,539k-Dot Tilting Touchscreen LCD 4K UHD Video Recording at 30 fps Multi-CAM 20K 153-Point AF System Native ISO 51200, Extend to ISO 1640000 10 fps Shooting for Up to 200 Frames Built-In Wi-Fi, ...

Nikon D500 and more


Nikon D500

Nikon D500

  • 20.9MP DX-Format CMOS Sensor
  • EXPEED 5 Image Processor
  • 3.2″ 2,539k-Dot Tilting Touchscreen LCD
  • 4K UHD Video Recording at 30 fps
  • Multi-CAM 20K 153-Point AF System
  • Native ISO 51200, Extend to ISO 1640000
  • 10 fps Shooting for Up to 200 Frames
  • Built-In Wi-Fi, Bluetooth and NFC
  • 180k-Pixel RGB Sensor and Group Area AF
  • In-Camera Time Lapse, Up to 9999 Frames

As the flagship model within Nikon’s DX-format DSLR line, the D500 is characterized by its robust physical construction, apt imaging capabilities, and of course, a more compact, sleek form factor than its FX brethren. Revolving around a 20.9MP CMOS sensor and EXPEED 5 image processor, this camera appeals to both still and video shooters with its fast 10 fps continuous shooting rate and 4K UHD video recording abilities. The sensor and processor also combine to avail a native sensitivity range up to ISO 51200, which can be further expanded to ISO 1640000 for working in dark and difficult lighting conditions. Benefitting the fast shooting performance, the D500 is also characterized by its expansive Multi-CAM 20K 153-point AF system, which features 99 cross-type points for fast performance and accurate subject tracking capabilities. While sleek in stature, the D500 is by no means slim on functionality and versatility.

Besides the imaging assets, this advanced DSLR also features an impressive handling design that incorporates a 3.2″, 2.36m-dot, tilting LCD touchscreen, which affords a comfortable means for working from high and low angles. An updated version of SnapBridge is also featured, which provides Wi-Fi connectivity with NFC, as well as Bluetooth Low Energy technology for linking your mobile device for wireless image sharing. In addition to the convenience features, the D500 is housed within a durable magnesium alloy chassis that is both dust- and weather-sealed for working in inclement conditions and harsh environments.

20.9MP DX-Format CMOS Sensor and EXPEED 5 Image Processor
The DX-format 20.9MP CMOS sensor is paired with the EXPEED 5 image processor to provide an esteemed mixture of high sensitivity, nuanced image quality, and fast overall performance. At native values, a sensitivity range from ISO 100-51200 permits working in a broad array of lighting conditions, an can be further expanded to ISO 50-1640000 (Lo 1 to Hi 5) to handle the most challenging of situations. The mixture of resolution and sensor size also contributes to clean image quality and smooth color transitions with reduced noise throughout the sensitivity range.

In addition to benefitting image quality, the EXPEED 5 processor also affords a wealth of speed throughout the camera system, including a top continuous shooting rate of 10 fps with full-time autofocus and exposure metering. Up to 200 frames can be recorded in a single burst, even when shooting 14-bit lossless compressed NEF files. Additionally, slower continuous shooting rates are available as well as a Quiet Continuous Mode for shooting 3 fps in noise-sensitivity areas.

4K UHD Video Recording
Capable of recording more than just stills, the D500 supports 4K UHD video recording at 30, 25, and 24 fps frame rates and Full HD/HD recording at up to 60 fps, along with the ability to save movie files to the in-camera memory cards or as an uncompressed file to an optional external recorder via HDMI out. For maintained quality and versatility in how your movies look, three image area options are available:

  • 4K UHD movie image format is an area that provides a 1.5x increase in the effective focal length of the lens in use and is reserved for 4K 3840 x 2160 recording.
  • 1.3x-based movie image area provides a 1.3x crop of the DX sensor, and is used for recording FULL HD and HD video.
  • DX-based movie image format utilizes the full width of the DX-format sensor, and is used to record Full HD 1920 x 1080 and HD 1280 x 720 video. This setting is well-suited for shallow depth of field effects and provides the widest field of view.

As with still shooting, the wide range of sensitivities is available for recording in low- and bright-light conditions, ranging from expanded ISO 100-1640000, and sensitivity values are manually adjustable via the dedicated movie-shooting menu. Also, a video-optimized Flat Picture Control mode can be used during recording to flatten the overall contrast curve for more control during post-production and color grading.

Benefitting handheld shooting, an Electronic Vibration Reduction feature can be used during Full HD and HD recording, which minimizes the appearance of camera shake across three axes to control horizontal, vertical, and rotational movements. Additionally, Active D-Lighting can also be employed during Full HD/HD shooting to preserve highlight and shadow detail when working in high-contrast situations.

In regard to handling, a dedicated power aperture button (Pv) makes it possible to achieve smooth, continuous exposure transitions when switching from light to dark areas and Auto ISO can also be used to maintain consistent brightness when working in changing light situations. Audio recording can be handled using the built-in stereo microphone or an optional external mic can be added via the 3.5mm stereo jack for greater control over quality. Regardless if using the in-camera mic or an external mic, audio levels can be adjusted in 20 increments and live monitoring is possible via the headphone jack, which afford 30 different volume levels for playback.

In addition to straight movie recording, time-lapse recording, for up to 9999 consecutive frames shot over the course of up to one week, is also possible with up to 4K UHD/30p output from the camera.

153-Point Multi-CAM 20K Autofocus System
Matching the speed and imaging capabilities is the apt Multi-CAM 20K AF system, which features 153 total phase-detection points, including 99 cross-type sensors for improved subject recognition, and 55 of the points are selectable for greater compositional freedom. Benefitting the use of super telephoto lenses and teleconverters, 15 of the points, including 9 selectable points, are compatible with an effective aperture of f/8 and all 153 points support working with effective apertures of f/5.6 or brighter.

Complementing the abundance of focusing points is a dedicated AF engine, which offers quick response times to benefit tracking fast and randomly moving subjects, even at the top 10 fps shooting rate. The AF engine also contributes to enhanced focusing sensitivity, with all points capable of focusing -3 EV and the center point capable of reading at -4 EV for working in very dark, low-contrast situations.

Furthering the versatility of the focusing system, seven different AF-area modes can be selected to support varying types of subjects matter:

  • Single-Point AF: The camera uses a single point to find focus.
  • Dynamic-Area AF: Available with 25, 72, or 153-point selections, this mode uses a primary single focus point to lock onto focus, and then makes use of the surrounding points for maintaining focus while tracking erratically-moving subjects.
  • Group-Area AF: This mode treats smaller groups of AF points as a single point for a wider field of recognition, and is well-suited to tracking faces or other detailed subjects.
  • 3D-Tracking: Using a subject’s color information, this mode utilizes all 153 points to maintain focus on a moving subject while half-pressing the shutter button.
  • Auto-Area AF: This mode makes use of all 153 points to quickly identify the main subject, and then prioritizes recognized faces as portrait subjects in any AF servo mode.

In addition to the range of AF-area modes, an AF lock-on function can also be used to improve subject tracking performance, and can be adjusted by two parameters-quick or delayed blacked shot AF response and erratic or steady subject movement. By configuring these settings, the AF performance can be optimized to handle a wide variety of subject movement types.

Lastly, a unique auto AF fine-tune function can be employed to ensure the best possible focus for each mounted lens. Rather than relying on photographing distance charts, this function lets you achieve precise focus manually in live view, and then have the AF system calibrate itself to the fine-tuned focus position in order to alleviate front- and back-focusing issues.

Body Design

  • A large 3.2″ rear LCD monitor features a high 2,359k-dot resolution for clear, vivid playback and live view shooting. The monitor is also a touchscreen for more intuitive menu navigation and settings control, and is usable while shooting, giving you the ability to choose a focus point or an area to set the white balance from. The screen can also be used as a keyboard for quickly entering notes, copyright info, or IPTC information. Additionally, it features a tilting design for easier visibility when shooting from high and low working angles.
  • A bright pentaprism optical viewfinder offers 100% frame coverage and a 1.0x magnification, and incorporates an organic EL display system to provide shooting information for seamless adjustment over camera settings without removing your eye from the viewfinder. Additionally, the optical glass features enhanced coatings for increased brightness, contrast, and color neutrality for more lifelike viewing.
  • Extending file saving capabilities by permitting overflow recording, in-camera file duplicating, or the ability to segregate raw and JPEG files between two cards, the D500 is configured with both SD and XQD memory card slots.
  • A robust magnesium alloy chassis is both dust- and weather-resistant to benefit working in harsh climates and inclement conditions.
  • The ergonomic grip and overall form factor are shaped to benefit handling for extended periods of time and are further accentuated by anti-slip, textured controls and easy-to-open card slot covers. Additionally, most of the rear buttons on the rear of the camera are illuminated for greater visibility when working in dim lighting conditions. Two configurable Fn buttons, one front-facing and the other rear-facing, may be assigned for checking depth of field or used for other shooting controls.
  • The included EN-EL15 rechargeable lithium-ion battery is CIPA-rated to last for approximately 1240 shots per charge in single-frame release modes. The optional MB-D17 Multi-Power Battery Pack can also be added to further extend shooting times.

SnapBridge Wi-Fi Connectivity
Supporting a wealth of sharing and tagging possibilities, the D500 features built-in SnapBridge Wi-Fi connectivity to enable seamless transfer of imagery as well as remote shooting capabilities. BLE – Bluetooth Low Energy technology enables communication between the camera and a smart device. Additionally, the mobile device can remotely trigger the shutter and display a live view image from the camera to enable working from a distance. NFC (Near Field Communication) is also supported to provide a quick and simple tap-to-connect method for linking your mobile devices with the camera.

For faster wireless performance, the D500 is also compatible with the optional WT-7A Wireless Transmitter enabling transmission of image files via FTP server or computer at speeds of up to 866.7 Mbps.

Scene Recognition System and Exposure Metering
The intelligent Scene Recognition System with 3D Color Matrix Metering III utilizes a 180k-pixel RGB sensor to evaluate and analyze all aspects within a scene, including brightness, contrast, subject distance, and the scene colors, to quickly determine an accurate exposure and white balance setting to best render the scene at hand. The information gathered is also checked against onboard reference images to ensure consistency from image to image in regard to exposure, white balance, i-TTL flash settings, and subject-tracking AF performance.

Other Camera Features

  • Three types of auto white balance are available: Auto 0, which maintains natural white values under any lighting condition; Auto 1, which maintains a balances of color between the subject and ambient light conditions; and Auto 2, which renders colors with a natural warmth and retains the colors of various types of lighting.
  • In-camera flicker reduction is available for both stills shooting and movie recording.
  • Three different sizes of raw files can be used depending on your output needs; raw size medium and small are 12-bit lossless compressed NEF files while the large file size is a 14-bit lossless uncompressed or compressed NEF file.
  • Spot White Balance control for live view shooting makes setting the white balance as easy as pointing to the area in the frame that should be white. Additionally, 1-6 preset white balance settings can be stored for easier switching between different light sources.
  • The D500 is compatible with the radio-controlled Advanced Wireless Lighting system, which permits working with the optional WR-R10 Controller and WR-A10 Receiver, along with the SB-5000, for intuitive, controllable wireless flash shooting.
  • Picture Control modes allow you to set predefined looks to imagery in-camera and include Landscape, Monochrome, Neutral, Portrait, Standard, Vivid, Flat, and user-customizable settings.
    


Sigma 30mm f/1.4 DC DN Contemporary

Sigma 30mm f/1.4 DC DN Contemporary

  • Sony E Mount/APS-C Format and Micro Four Thirds
  • 45mm (35mm Equivalent)
  • Aperture Range: f/1.4 to f/16
  • Three Aspherical Surfaces
  • One High-Refractive Index Element
  • Super Multi-Layer Coating
  • Stepping AF Motor
  • Rounded 9-Blade Diaphragm
  • TSC Construction, Brass Bayonet Mount

A fast, versatile prime, this Sigma 30mm f/1.4 DC DN Contemporary Lens is designed for APS-C-format Sony E-mount and Micro Four Thirds mirrorless cameras, where it provides a 45mm equivalent focal length. The bright f/1.4 maximum aperture benefits working in low-light conditions and also affords extensive control over focus placement for using selective focus techniques. In regard to the optical design, one aspherical element and one double-sided aspherical element pair to significantly reduce spherical aberrations for increased clarity and definition for notably sharp image quality. A high-refractive index element is also featured, to minimize color fringing and chromatic aberrations, and a Super Multi-Layer Coating has been applied to control lens flare and ghosting in strong lighting conditions. Additionally, benefitting both stills shooting and video recording, this compact prime also incorporates a stepping AF motor or smooth, near-silent autofocus performance. Designed as a versatile standard lens, the mixture of speed and optical prowess make this a go-to lens for mirrorless shooters.

  • A truly versatile standard prime, this 30mm lens is designed for APS-C-format Sony E-mount mirrorless cameras where it provides a 45mm equivalent focal length.
  • A truly versatile slightly-longer-than-normal prime, this 30mm lens is designed for Micro Four Thirds mirrorless cameras where it provides a 60mm equivalent focal length.
  • Fast f/1.4 maximum aperture excels in low-light conditions and also affords greater focus control for producing shallow depth of field effects.
  • One aspherical element and one double-sided aspherical element control a range of spherical aberrations and distortions for increased sharpness and resolution. Additionally, a high-refractive index, high-dispersion glass element is also integrated into the design, and offers anomalous partial dispersion characteristics to control chromatic aberrations and reduce color fringing.
  • A Super Multi-Layer Coating has been applied to lens elements in order to minimize lens flare and ghosting and contribute to producing contrast-rich and color-neutral imagery, even in backlit conditions.
  • A stepping AF motor benefits both photographers and videographers with its fast, precise, and near-silent performance.
    A rounded nine-blade diaphragm contributes to a pleasing bokeh quality.
  • The lens is constructed using a Thermally Stable Composite (TSC) material, along with traditional metals, for greater precision and use in wide temperature variations. The outside of the lens barrel is also engraved with the year of production.
  • The bayonet mount is constructed from brass for ensured accuracy and durability.
    


Tamron SP 90mm f/2.8 Di Macro 1:1 VC USD

Tamron SP 90mm f/2.8 Di Macro 1:1 VC USD

  • Full-Frame Format
  • Aperture Range: f/2.8 to f/32
  • One LD and Two XLD Glass Elements
  • eBAND, BBAR, and Fluorine Coatings
  • USD AF Motor, Full-Time Manual Focus
  • VC Image Stabilization
  • 1:1 Max. Magnification, 11.8″ Min. Focus
  • Rounded 9-Blade Diaphragm
  • Moisture-Resistant Construction
  • Compatible with TAP-in Console

Optimized for close-up shooting, the SP 90mm f/2.8 Di Macro 1:1 VC USD Lens from Tamron is a short telephoto prime designed for full-frame DSLRs. Offering a life-size maximum magnification ratio of 1:1, this lens benefits working with small and nearby subjects and employs a Floating System for maintained image quality throughout the 11.8″ to infinity focusing range. One Low Dispersion and two Extra Low Dispersion glass elements are incorporated into the optical design to minimize chromatic aberrations and color fringing for clean, consistent sharpness and clarity throughout the magnification range. BBAR and eBAND coatings have also been applied to minimize flare and ghosting for increased contrast when working in strong lighting conditions, and a rounded nine-blade diaphragm contributes to a pleasing bokeh quality to benefit shallow depth of field imagery. As an update to the classic 90mm macro, this enhanced version is well-suited to the high-resolution crop of DSLRs and blends timeless appeal and functionality with current imaging performance.

Supporting the imaging attributes is Vibration Compensation image stabilization, which minimizes the appearance of camera shake by up to 3.5 stops for sharper handheld shooting. Also aiding in creating sharp imagery, a precise, macro-optimized ring-type USD autofocus motor provides fast and well-controlled focusing performance. A dedicated USD actuator is used to refine focusing precision at close distances and also compensates for small amounts of camera shake common to working at higher magnifications. Additionally, the focus motor affords full-time manual focus control for a greater range of adjustment capabilities. A moisture-resistant physical construction enables its use in trying environments and the front element has also received a fluorine coating to guard against smudges and moisture from affecting image quality. Additionally, this lens is compatible with the optional TAP-in Console for fine-tuning focusing performance and updating the lens’ firmware.

  • A short-telephoto focal length optimized for macro shooting, this 90mm lens is designed for full-frame Canon EF-mount DSLRs, and is also compatible with APS-C models where it will provide a 144mm equivalent focal length.
  • Bright f/2.8 maximum aperture offers a clean viewfinder image and is also beneficial for working in low-light conditions and for isolating focus.
  • One LD (Low Dispersion) and two XLD (Extra Low Dispersion) glass elements are incorporated in the 14 elements, 11 groups optical design, and contribute to a marked reduction in chromatic aberrations and color fringing throughout the aperture and focusing ranges.
  • Designed as a true macro lens, this optic affords a life-size 1:1 maximum magnification ratio along with an 11.8″ minimum focusing distance to suit working with close-up subjects, and a Floating System is employed for consistent image quality and sharpness throughout the focusing range.
  • eBAND (Extended Bandwidth & Angular-Dependency) and BBAR (Broad-Band Anti-Reflection) coatings have been applied to lens elements to reduce surface reflections and prevent lens flare and ghosting for increased contrast and color accuracy.
  • VC (Vibration Compensation) image stabilization is incorporated into the lens’ design to minimize the appearance of camera shake by up to 3.5 stops for sharper handheld shooting in low-light conditions. An accelerometer has also been added to the VC system to compensate for shift-type camera shakes along the X/Y plane, and a gyro sensor is used to accurately detect and enable motion compensation throughout the focusing range.
  • Ring-type USD (Ultrasonic Silent Drive) motor and an optimized USD actuator are employed for fast, precise, and quiet autofocus performance that benefits both stills and video recording. This motor also enables full-time manual focus control without having to shift into a dedicated MF mode.
  • An internal focusing mechanism is also used to maintain the overall lens length during use, along with a comfortable working distance of approximately 5.5″.
  • A Focus Limiter Switch is used to constrain the lens’ focusing range for faster performance. A choice of 1.6′-infinity, 11.8″-1.6′, and 11.8″-infinity ranges are available.
  • Moisture-resistant construction incorporates seals around the lens mount and other areas to benefit working in inclement conditions. Additionally, a fluorine coating has been applied to the front lens element to repel water, fingerprints, and smudges for easier cleaning of the lens surface.
  • Rounded nine-blade diaphragm produces a pleasing out-of-focus quality when working with shallow depth of field techniques.
  • Compatible with the optional TAP-in Console for updating the lens’ firmware as well as adjusting focus settings via the TAP-in Utility software.
  • SILKYPIX Developer Studio for Tamron software is included with the lens, which, aside from enabling basic raw processing and image adjustments, works to specifically correct for various aberrations, including color fringing, distortion, and peripheral light fall-off, using dedicated optical data from Tamron’s SP-series of lenses.

 

    


Nikon D5

Nikon D5

  • 20.8MP FX-Format CMOS Sensor
  • EXPEED 5 Image Processor
  • 3.2″ 2.36m-Dot Touchscreen LCD Monitor
  • 4K UHD Video Recording at 30 fps
  • Multi-CAM 20K 153-Point AF System
  • Native ISO 102400, Extend to ISO 3280000
  • 12 fps Shooting for 200 Shots with AE/AF
  • 180k-Pixel RGB Sensor and Group Area AF
  • 14-Bit Raw Files and 12-Bit Raw S Format
  • 1000 Base-T Gigabit Wired LAN Support

Qualifying itself as the flagship model in Nikon’s DSLR lineup, the D5 is positioned as a truly fast, highly precise machine for professional photographers. Revolving around a full-frame, FX-format 20.8MP CMOS sensor and EXPEED 5 image processor, this workhorse touts an impressive 12 fps continuous shooting rate with full-time AF and AE, an expandable sensitivity range that goes up to ISO 3280000, and 4K UHD video recording at 30 fps. Matching the imaging versatility, the Nikon D5 is also characterized by its redeveloped Multi-CAM 20K 153-point AF system, which incorporates 99 cross-type sensors for refined precision when tracking moving subjects or working in difficult lighting conditions. This model features dual XQD memory card slots, to provide versatility in file handling during shooting, and a range of selectable raw file sizes can also be used depending on output needs. Designed to keep up with the fastest subjects and handle the most difficult working conditions, the Nikon D5 is an advanced DSLR well-suited to the most extreme multimedia workflows.

Echoing the robust set of imaging capabilities, the D5 is of course equally refined in its handling and physical design attributes. A rear 3.2″ 2.36m-dot touchscreen LCD monitor afford clean, clear playback and live view shooting, along with an intuitive means for navigating the menu system. The camera chassis is constructed from magnesium alloy and is both dust- and weather-sealed to enable working in the harshest of environments. Additionally, lending an air of familiarity to the design, a slew of configurable Function buttons are available across the body, and an integrated vertical grip supports working in both horizontal and vertical shooting orientations.

20.8MP FX-Format CMOS Sensor and EXPEED 5 Image Processor
The FX-format 20.8MP CMOS sensor teams with the EXPEED 5 image processor to offer an esteemed mixture of high sensitivity, nuanced image quality, and fast overall performance. At native values, a sensitivity range from ISO 100-102400 permits working in a broad array of lighting conditions, an can be further expanded to ISO 50-3280000 (Lo 1 to Hi 5) to handle the most challenging of situations. The mixture of resolution and sensor size also contributes to clean image quality and smooth color transitions with reduced noise throughout the sensitivity range.

In addition to benefitting image quality, the EXPEED 5 processor also affords a wealth of speed throughout the camera system, including a top continuous shooting rate or 14 fps with the mirror up, or 12 fps with full-time autofocus and auto-exposure control. When shooting at 12 fps, up to 200 frames can be recorded in a single burst, even when shooting 14-bit lossless compressed NEF files. Benefitting this speed, redeveloped sequencer and mirror driving mechanisms also ensure consistent, accurate exposure results as well as a more stable viewfinder image.

153-Point Multi-CAM 20K Autofocus System
Matching the speed and imaging capabilities is the apt Multi-CAM 20K AF system, which features 153 total phase-detection points, including 99 cross-type sensors for improved subject recognition, and 55 of the points are selectable for greater compositional freedom. Benefitting the use of super telephoto lenses and teleconverters, 15 of the points, including 9 selectable points, are compatible with an effective aperture of f/8 and all 153 points support working with effective apertures of f/5.6 or brighter.

Complementing the abundance of focusing points is a dedicated AF engine, which offers quick response times to benefit tracking fast and randomly moving subjects, even at the top 12 fps shooting rate. The AF engine also contributes to enhanced focusing sensitivity, with all points capable of focusing -3 EV and the center point capable of reading at -4 EV for working in very dark, low-contrast situations.

Furthering the versatility of the focusing system, seven different AF-area modes can be selected to support varying types of subjects matter:

  • Single-Point AF: The camera uses a single point to find focus.
  • Dynamic-Area AF: Available with 25, 72, or 153-point selections, this mode uses a primary single focus point to lock onto focus, and then makes use of the surrounding points for maintaining focus while tracking erratically-moving subjects.
  • Group-Area AF: This mode treats smaller groups of AF points as a single point for a wider field of recognition, and is well-suited to tracking faces or other detailed subjects.
  • 3D-Tracking: Using a subject’s color information, this mode utilizes all 153 points to maintain focus on a moving subject while half-pressing the shutter button.
  • Auto-Area AF: This mode makes use of all 153 points to quickly identify the main subject, and then prioritizes recognized faces as portrait subjects in any AF servo mode.

In addition to the range of AF-area modes, an AF lock-on function can also be used to improve subject tracking performance, and can be adjusted by two parameters–quick or delayed blocked shot AF response and erratic or steady subject movement. By configuring these settings, the AF performance can be optimized to handle a wide variety of subject movement types.

Lastly, a unique auto AF fine-tune function can be employed to ensure the best possible focus for each mounted lens. Rather than relying on photographing distance charts, this function lets you achieve precise focus manually in live view, and then have the AF system calibrate itself to the fine-tuned focus position in order to alleviate front- and back-focusing issues.

4K UHD Video Recording
Taking notice of multimedia image-maker’s needs, the D5 is more than just a still camera. Capable of recording 4K UHD video (3840 x 2160) at 30, 25, and 24 fps frame rates, Full HD and HD recording is also supported, along with the ability to save movie files to the in-camera memory cards or as an uncompressed file to an optional external recorder via HDMI out. For maintained quality and versatility in how your movies look, four image area options are available:

  • FX-based movie image format makes use of the entire width of the sensor and is used to record Full HD 1920 x 1080 and HD 1280 x 720 video. This setting is well-suited for shallow depth of field effects and provides the widest field of view.
  • 4K UHD movie image format is an area roughly corresponding to a DX crop of the full-frame sensor, and provides a 1.5x increase in the effective focal length of the lens in use. This area is reserved for 4K 3840 x 2160 recording.
  • DX-based movie image format is a similar 1.5x crop of the full-frame sensor, however is used for recording Full HD and HD video.
    1920 x 1080 crop movie image format is the smallest recording area, offering roughly a 3x increase in the effective focal length of the lens for gaining narrower fields of view.

As with still shooting, the wide range of sensitivities is available for recording in low- and bright-light conditions, ranging from expanded ISO 100-3280000, and sensitivity values are manually adjustable via the dedicated movie-shooting menu. Also, a video-optimized Flat Picture Control mode can be used during recording to flatten the overall contrast curve for more control during post-production and color grading.

In regard to handling, a dedicated power aperture button (Pv) makes it possible to achieve smooth, continuous exposure transitions when switching from light to dark areas, and Auto ISO can also be used to maintain consistent brightness when working in changing light situations. Audio recording can be handled using the built-in stereo microphone or an optional external mic can be added via the 3.5mm stereo jack for greater control over quality. Regardless if using the in-camera mic or an external mic, audio levels can be adjusted in 20 increments and live monitoring is possible via the headphone jack, which afford 30 different volume levels for playback.

In addition to straight movie recording, time-lapse recording, for up to 9999 consecutive frames shot over the course of up to one week, is also possible with up to 4K UHD/30p output from the camera.

Body Design

  • A large 3.2″ rear LCD monitor features a high 2.36m-dot resolution for clear, vivid playback and live view shooting. The monitor is also a touchscreen for more intuitive menu navigation and settings control, and it can respond to haptic feedback even while wearing gloves. The touchscreen is also usable while shooting, giving you the ability to choose a focus point or an area to set the white balance from. The screen can also be used as a keyboard for quickly entering notes, copyright info, or IPTC information.
  • This model of the D5 is configured with two XQD card slots, allowing you to extend file saving capabilities by permitting overflow recording, in-camera file duplicating, or the ability to segregate raw and JPEG files between the two cards.
  • The familiar body design incorporates a vertical grip that is designed to be equally as comfortable and efficient when shooting in the vertical or horizontal orientation.
  • A robust magnesium alloy chassis is both dust- and weather-resistant to benefit working in harsh climates and inclement conditions.
  • The ergonomic grip and overall form factor are shaped to benefit handling for extended periods of time and are further accentuated by anti-slip, textured joysticks and easy-to-open card slot covers. Additionally, most of the rear buttons on the rear of the camera are illuminated for greater visibility when working in dim lighting conditions.
  • The bright 0.72x optical pentaprism viewfinder covers 100% of the FX frame for framing accuracy. A detachable DK-27 Eyepiece Adapter also lets you attach a rain cover directly to the viewfinder for more comfortable shooting in wet conditions.
  • Fn1, 2, and 3 Function buttons are placed about the camera body and can be used for adjusting or accessing a range of functions; functions can be assigned to the buttons at will, and customized depending on shooting needs.
    An electronic front-curtain shutter helps to minimize mechanical vibrations in order to better ensure sharpness during long exposures.
  • The high-precision shutter mechanism has been tested for a long lifespan of 400,000 actuations.
  • The included EN-EL18a rechargeable lithium-ion battery is CIPA-rated to last for approximately 3780 shots per charge in single-frame release modes.

Scene Recognition System and Exposure Metering
The intelligent Scene Recognition System with 3D Color Matrix Metering III utilizes a 180,000-pixel RGB sensor to evaluate and analyze all aspects within a scene, including brightness, contrast, subject distance, and the scene colors, to quickly determine an accurate exposure and white balance setting to best render the scene at hand. The information gathered is also checked against onboard reference images to ensure consistency from image to image in regard to exposure, white balance, i-TTL flash settings, and subject-tracking AF performance.

Other Camera Features

  • Three different sizes of raw files can be used depending on your output needs; raw size medium and small are 12-bit lossless compressed NEF files while the large file size is a 14-bit lossless uncompressed or compressed NEF file.
  • Spot White Balance control for live view shooting makes setting the white balance as easy as pointing to the area in the frame that should be white. Additionally, 1-6 preset white balance settings can be stored for easier switching between different light sources.
  • When reviewing continuous shooting sequences, you can configure to have the playback begin with the first or last image from the burst.
  • The D5 is compatible with the radio-controlled Advanced Wireless Lighting system, which permits working with the optional WR-R10 Controller and WR-A10 Receiver, along with the SB-5000, for intuitive, controllable wireless flash shooting.
  • The built-in wired LAN function of 1000 Base-T (Gigabit) standard enables high-speed, seamless transferring of still imagery and movie files for expediting an entire post-production workflow.
  • For wireless file transferring, the D5 is compatible with the optional WT-6A Wireless Transmitter.
  • Picture Control modes allow you to set predefined looks to imagery in-camera and include Landscape, Monochrome, Neutral, Portrait, Standard, Vivid, Flat, and user-customizable settings.
    

Tamron SP 85mm f/1.8 Di VC USD

Tamron SP 85mm f/1.8 Di VC USD

  • Full-Frame Format
  • Aperture Range: f/1.8 to f/16
  • One LD Element and One XLD Element
  • eBAND and BBAR Coatings
  • Fluorine Coating on Front Element
  • USD AF Motor, Full-Time Manual Focus
  • VC Image Stabilization
  • Rounded 9-Blade Diaphragm
  • Moisture-Resistant Construction
  • Compatible with TAP-in Console

An ideal focal length for portraiture, the SP 85mm f/1.8 Di VC USD Lens from Tamron is a short-telephoto prime designed for full-frame Canon EF-mount and FX-format Nikon F-mount DSLRs. Incorporating one Low Dispersion element and one Extra Low Dispersion element into the optical design, this lens is adept at reducing chromatic aberrations and color fringing for a high degree of clarity and color accuracy, as well as sharpness and resolution. BBAR and eBAND coatings have also been applied to minimize flare and ghosting for increased contrast when working in strong lighting conditions, and a rounded nine-blade diaphragm contributes to a pleasing bokeh quality to benefit shallow depth of field imagery. Classic in terms of focal length yet optimized for the recent breed of high-resolution DSLRs, this portrait-length prime melds a familiar perspective with contemporary performance.

Complementing the optical assets, this lens is also characterized by Vibration Compensation image stabilization, which minimizes the appearance of camera shake by up to 3.5 stops for sharper handheld shooting. Also aiding in creating sharp imagery, a robust ring-type USD autofocus motor with an optimized USD actuator is used for noticeably fast and accurate focusing performance. This focusing system also lends itself to full-time manual focus control for fine-tuned precision. A moisture-resistant physical construction enables its use in trying environments and the front element has also received a fluorine coating to guard against smudges and moisture from affecting image quality. Additionally, this lens is compatible with the optional TAP-in Console for fine-tuning focusing performance and updating the lens’ firmware.

  • An ideal portrait-length prime, this 85mm lens is designed for full-frame Canon EF-mount DSLRs, and is also compatible with APS-C models where it will provide a 136mm equivalent focal length.
  • Fast f/1.8 maximum aperture benefits working in low-light conditions and also affords extensive control over focus placement for greater separation of subjects from the background, as well as the ability to produce selective imagery.
  • Both LD (Low Dispersion) and XLD (Extra Low Dispersion) glass elements are incorporated in the 13 elements, 9 groups optical design, and contribute to a marked reduction in chromatic aberrations and color fringing throughout the aperture range.
  • eBAND (Extended Bandwidth & Angular-Dependency) and BBAR (Broad-Band Anti-Reflection) coatings have been applied to lens elements to reduce surface reflections and prevent lens flare and ghosting for increased contrast and color accuracy.
  • VC (Vibration Compensation) image stabilization is incorporated into the lens’ design to minimize the appearance of camera shake by up to 3.5 stops for sharper handheld shooting in low-light conditions.
  • Ring-type USD (Ultrasonic Silent Drive) motor and an optimized USD actuator are employed for fast, precise, and quiet autofocus performance that benefits both stills and video recording. This motor also enables full-time manual focus control without having to shift into a dedicated MF mode.
  • Moisture-resistant construction incorporates seals around the lens mount and other areas to benefit working in inclement conditions. Additionally, a fluorine coating has been applied to the front lens element to repel water, fingerprints, and smudges for easier cleaning of the lens surface.
  • Rounded nine-blade diaphragm produces a pleasing out-of-focus quality when working with shallow depth of field techniques.
  • An electromagnetic diaphragm system is used to ensure more consistent exposure results, especially at higher continuous shooting rates.
  • Compatible with the optional TAP-in Console for updating the lens’ firmware as well as adjusting focus settings via the TAP-in Utility software.
  • SILKYPIX Developer Studio software for Tamron is included with the lens, which, aside from enabling basic raw processing and image adjustments, works to specifically correct for various aberrations, including color fringing, distortion, and peripheral light fall-off, using dedicated optical data from Tamron’s SP-series of lenses.
    

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