Change is good, right?! That’s been my motto in art and life, even when change has chosen me instead of my choosing it. But choosing a new CMS website option to manage and update totally on my own has been high on my wish list for a while.
So I shifted my blog and website to WordPress in March. I’m slowly trying to learn it. Also have thousands of images to delete or name and organize in my hard drive. Happily, I’m making progress with both and hope to get up to speed and fully functional in a few more months.
I’m currently able to post to the blog but am having a tough time editing the gallery pages, which currently just have placeholders. The website editing plug-in called PixGridder is what I'm having a hard time learning. There may be changes in my design template ahead and possibly lots of weird looking web pages you'll see as I work through the Word Press.org learning curve. Please bear with me.
Meanwhile, the new blog works as an excellent studio log to share new ideas and works in progress with you.
Please visit the new blog
site to say hi and share your thoughts and comments. Thanks!
My mission in life is not merely to survive, but to thrive; and to do so with some passion, some compassion, some humor, and some style.
Yes, these are indeed rusty nails, 2” with square heads, pulled from boards in a circa-1905 Victorian home. I just purchased them from an Etsy shop. God bless Google searches.
So why are rusty nails so exciting to me today? They’re a demonstration of how much inspiration fuels my work. At 4:30 AM this morning this idea woke me up. The little rusted hand-made paper and wire sculptures I’m currently constructing could hang from rusted nails instead of bent copper wires. I wasn’t even trying to find a replacement for those copper wires! Now it seems the most perfect way to hang them, so I hope it works.
I love these surprising bursts of insight and inspiration most about being a creative. Do you ever experience such flashes of new ideas when you’re engaged in a project?
Here are some of the works in this installation, now nearing the finish line. Will the rusted nails work? I love the suspense of wondering while I wait for them to arrive in the mail.
One day last summer I took my usual drive down East Main Street in Rochester to my studio building and this wall mural seemed to just have suddenly appeared on the Fedder Building (I’m sure it took longer!). When I did actually notice it, I did a total WOW-what-IS-this. Now I pass by her every day as I drive to my studio. She has become something of a personal creative touchstone in a neighborhood of old warehouses, rundown buildings and homes divided into numerous apartments.
She is one of many murals that have been painted around the city of Rochester since 2012 through WALL/THERAPY, which its website describes as “a community level intervention using mural art as a vehicle to address our collective need for inspiration.”
And inspire my three-story lady does. Perhaps she is not quite the face I might have imagined for my creative Muse, but that is exactly what she accomplishes for me each day I gaze up at her while I drive past. She does more than just lift my spirits, though, she radiates a transforming presence in an area that needs an infusion of creative energy. Seeing a building wall thus transformed reminds me of the potential visual art has to surprise, uplift and delight through all of life’s circumstances and challenges.
For a view of the other wall murals now currently creating a new landscape in urban Rochester, please visit the WALL/THERAPY website.
Jeanne Raffer Beck, “Dialogue”, 4” x 4” x 13”; wrapped wire, handmade pulp & paper, poplar base.
My first small, free-standing, sculptural wire and paper piece debuted in my studio a week ago. Most people see these forms as bonelike and ancient. I’m still debating price, which led to some surprising and enjoyable conversations about what people might pay for small works like these. The poplar base and slight rusting on the hanging forms and paper-wrapped wire holder all work together well. Two more single pieces are in progress, which you can see in the picture below.
in the meantime, I’ve been creating and stockpiling organic shapes for the multiples I’m creating now. If the finished piece is successful, I’ll enter it into Memorial Art Galllery’s biennial juried exhibition.
By the time I closed shop yesterday afternoon, the whole space looked a bit like an assembly line. Yesterday was also our building wide Second Saturday at Hungerford but with storm warnings and snow, traffic stayed light. Still, I enjoyed great conversations with the people who did visit and made the most of the quiet; couching sheets of abaca paper and applying them wet over the remaining 6” x 9” wooden panels for my 24 pieces. As the paper dries and shrinks, it will totally adhere to the wood surface.
Many thanks to my good friend Christina Laurel for sending me the darker value chai tea bag papers – a great surprise that arrived in a little package in the mail this week. Friends help take the chill away in winter! These will join my other carefully saved papers to be collaged on their surfaces when I return to my studio this week and start to compose and collage.
Your vision will become clear only when you look into your own heart. Who looks outside, dreams; who looks inside, awakens. --Carl Jung
After enjoying hundreds of visitors who came to my studio last night for First Friday, I realize just how much of an equation there is between making art and sharing it. That exchange feels magical when what we make is well received by others. We encounter that energy in concerts, in live performances and sporting events. Athletes, actors, dancers, musicians all perform to audiences and whether small or large, our creativity comes full circle when shared.
For many of us who are makers, our creative selves are always reaching. I’m feeling an internal desire now to focus on emotional content in new work. What is it that makes some pieces evoke a deep emotional response?
Colors, shapes, lines and textures can communicate feeling, either what the artist feels internally or their responses to the world around them. The Abstract Expressionists of the 1950s believed the best way to express pure emotion was to create nonobjective or totally abstract artworks. They saw the use of colors, shapes, lines and textures as vital to expressing deep emotional states.
What feelings or emotions do you wish to express through your works? How do you choose color, shape, line and textures to communicate those?
Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen. ~Leonardo da Vinci