The Rise and Rebellion of Women Noir Writers
Women writers of crime, mystery, and noir have been kicking their male counterparts in the keister lately. Evidence of this is Akashic Books’ outstanding new anthology Cutting Edge: New Stories of Mystery and Crime by Women Writers. In the world of noir, Akashic wears the publishing crown of noir, from novels to over 100 noir anthologies set in cities around the world.
In this new anthology, authors Aimee Bender, Steph Cha, S.J. Rosen, Edwidge Danticat, and twelve others prove that women have the cutting edge over their male counterparts. Joyce Carol Oates who Akashic calls “a queen of the noir genre” puts her keen, dark eye to stories that skewer the gendered status quo of “femme-fatale.” No longer do women lure hapless men to their demise. Instead, these writers of femmes-noir, a subcategory of contemporary neo-noir, have a little fun at the expense of a crumbling patriarchal society.
The modern female noir and crime story covers a lot of ground. These stories with their strong sense of place and atmosphere kept me up late into the night and gave me thrills and chills.
“In noir, women’s place until fairly recently has been limited to two: muse, sexual object. The particular strength of the female noir vision isn’t a recognizable style but rather a defiantly female, indeed feminist, perspective.” —Joyce Carol Oates, introduction, Cutting Edge
Take for example my favorite story in the anthology, Aimee Bender’s “Firetown.” An erotic contemporary story is set in a Los Angles that is “crackling” after eleven months of wildfires. This story has the appeal of classic noir with its repartee and humor, its PI and beautiful client.
But the PI is female, owns an apricot-colored chair, and drinks whiskey, rocks, “to maintain image”; the beautiful client vapes and owns a cat; and other characters develop Etsy sites and drink pale ale. Never far away, however, are the fires, a physical and existential threat.
Another favorite is Bernice L. McFadden’s “OBF, Inc,” a terrifying contemporary tale set in office spaces that could be in any city. This is alternative current history where Black Lives Matter is a terrorist group and blacks are only allowed typewriters and analog phones. By the end of the story, you’ll learn what OBF stands for and why racism still burns hot in our current culture.
Whatever your taste in dark tales, you’ll find delicious ones in Cutting Edge. Steph Cha’s “Thief” is more crime than noir and Elizabeth McCracken’s “An Early Specimen” is more horror than crime. Justice, a favorite theme of mine, finds its way into Shelia Kohler’s “Miss Martin,” another story that raises the current curtain on dark days.
Round out this anthology with a Joyce Carol Oates story and Margaret Atwood poetry, and you have a gift to reread and read out loud. The cynical voices, themes, exemplary language, even the settings defy categories and would be comfortable in either literary or genre. To be scared, stimulated, transfixed, and entertained should be the motive of any writing. Cutting Edge is perfect reading for those with a taste for the nocturnal.
Authors included in the anthology:
Bernice L. McFadden
Joyce Carol Oates
Val's Review of Attica Locke's HEAVEN, MY HOME
Attica Locke creates stories rich in setting and character and entwined with history. (Bluebird, Bluebird) The plot of her latest, HEAVEN, MY HOME, is not only intense but complex and multilayered. Levi, the nine-year-old son of an Aryan Brotherhood leader, goes missing. Texas Ranger Darren Matthews is assigned to find him. As crime novels go, that would be ordinary, except Matthews is black and must follow the law even when faced with legal and moral issues. One of the settings he’s called to, Hopetown, was created after the civil war for freed slaves. Now white supremacists live there too, making a living off people who are nostalgic for anti-bellum Texas.
Matthews comes into the assignment with personal problems, including a mother who doesn’t have his best interests at heart, a vulnerable marriage, and a past investigation that haunts him. As a character, he’s so fully fleshed out that I feel as if I know him, making his story the kind I yearn for as a reader.
I won’t go into any more plot details as other reviews have covered those. I do enjoy how Locke interweaves Texas history in the novel, plus pulls us into a world in 2016 that is more conflicted than it was a few decades ago. Like a Pandora’s Box of Bigots, the racists have become emboldened and don’t fear the law. Levi the nine-year-old is a bad actor, but questions arise for Matthews as well as the reader as Matthews must put aside his feelings and search for the boy. Should Levi be held to same standards as his racists’ relations? Is his hate conditioning or something more rooted in his genetic make-up?
Locke leans heavily on the idea of forgiveness. Should we always try to forgive, or are there times we cannot afford to forgive?
I’m always drawn to crime and thrillers that ask big, bold, and uneasy questions like these. Early in the novel, Matthews says:
“Maybe the rules had to be different. Maybe justice was no more a fixed concept than love was, and the poets and bluesmen knew the rules better than we did.”
Maybe so. Think about that for a minute before you dive into the novel because once you do, you’ll be too swept up in not only what happens, but what choices the characters must make. Walk in their boots. Experience a time of both past and present, times that make moral and legal choices so difficult.
The Woman in the Window--Does It Live Up to the Hype?
“Tour de force.”
When a pre-publication novel boasts these blurbs from Gillian Flynn, Ruth Ware, Louise Penny, and Stephen King, and is pronounced “The Most Widely Acquired Debut Novel of all Time,” my alarms go off.
I don’t know about you, but I’m a skeptic where the publishing world is concerned. Their taste buds tend to salivate over sales—no matter how well written or crafted the novel. Plus their authors often write testimonials for their publishers’ novels because, well, it’s done that way. I’ll scratch your back, etc. etc.
So call me a cynic when, in October, I stumbled across an online mention of The Woman in the Window, the 432-page novel referred to at the start of this review, published by William Morrow. Ruth Ware called it “A dark, twisty confection with an irresistible film noir premise.” Lately, some novels are described as noir, when in fact they are not. So is it noir? Is it worth the hype and read? And exactly who is this wunderkind author A. J. Finn?
Turns out he’s industry insider Daniel Mallory, a senior publishing executive at William Morrow/Harper Collins. In the novel’s promo packet I found this about him:
(Daniel Mallory is) a top young book editor who studied mystery and suspense fiction at Oxford University, who now publishes the work of Agatha Christie, and whose own writing is crafted in homage to the classics from Hitchcock and Highsmith.
Now I was even more intrigued, and the pressure increases for this novel to perform.
Is it noir?
Yes … and no, depending on how you define noir.
As a psychological thriller, it’s gripping. The narrator, Anna Fox, an agoraphobic and once a respected child psychologist, drinks too much merlot and pops pills indiscriminately. She spies on her neighbors and becomes increasingly interested in the new ones across the street. When she witnesses a brutal crime, no one believes her. No evidence is found that a crime has been committed, a noir hook that comes directly from Rear Window with James Stewart. We wonder about Anna’s sanity.
The novel is alive with Hitchcockian characters: the sympathetic Detective Little, his sidekick who doesn’t like Anna, the new neighbor who Anna suspects of killing his wife, the neighbor’s son who makes friends with Anna, Anna’s tenant who suspiciously has little history, and an online friend Anna confides in. The characters switch from suspects to victims and back to suspects repeatedly, creating the plot twists. A definite noir trope.
Finn chose wisely with confining the point of view to Anna. He also restricted the setting to Anna’s New York brownstone, therefore enhancing the sense of entrapment, isolation, and paranoia, all elements of noir.
The ending, of course, brings the truth about the crime to a close. Usually, however, noir does not end on an uplifting note, or it leaves us with a slight sense of dread that not all is right with the world. Finn decides on a different ending.
As much as I love film noir, I found the mention of so many films
throughout the novel distracting even though we're led to believe Anna’s constant viewing of these movies could cause her paranoia. Night in the City, Vertigo, Third Man, Dead Calm, Gentlemen Prefer Blondes, The Man Who Knew Too Much, Rope, Strangers on a Train, North by Northwest, The Lady Vanishes, Gaslight, Dark Passage—all mentioned in the first 144 pages.
I applaud Finn’s nod to Gaslight with its use of madness, Vertigo for mistaken identity, and Shadow of a Doubt for its sense of urgency. After the novel took off, I quit counting the mentioned films as I became more interested in Anna’s fate and the person responsible for the crime.
As for the writing itself, noir benefits with less. Most of the descriptions were spot on, but sometimes Finn tries too hard:
Sounds invade the car: The giddy shriek, the seafloor rumble of traffic, a bicycle bell trilling. A rage of colors, a riot of sounds. I feel as though I'm in a coral reef.
Her drainpipe legs are folded beneath the seat, and Punch (her cat) churns around her ankles like smoke. In the grate, a low tide of fire.
As for the story overall, The Woman in the Window is more quietly complex and suspenseful than Gone Girl (enjoyed, with reservations). It far exceeds The Girl on the Train which I didn't like at all. Finn takes care with the clues he sprinkles throughout (even the red herrings), the setting, and the way he tries to summon up the moody atmosphere of black-and-white films.
The Woman in the Window goes on sale Jan. 2, 2018 in a massive launch and has already been sold to Fox 2000 Studios with
Scott Rudin producing and Tracy Letts writing the script.
I hope A. J. Finn continues to write in the noir and thriller genre. I’m a fan.
Loving the dark,
A. J. Finn's Facebook Page
“PORTLAND PREY” MY SEXY, SECOND NOIR STORY—& A PRIZE!
BIG ANNOUNCEMENT, TOO!
I will soon be interviewed on the “Kendall and Cooper Talk Mysteries” podcast! Wendy Kendall and Julie Cooper loved “Revenge in Paris” so much, they contacted me for the interview.
If you haven’t read “Revenge in Paris” (it’s free!), sign up at my WEBSITE. You’ll be directed to download the story in your favorite format.
You will want to read Ang’s story as it is the first in a trilogy of stories. The three stories will stand on their own, but isn’t it more fun to get something free and prepare yourself for the thrill and mystery of the next noir in NOIR TRAVEL STORIES SERIES?
I had planned to publish "Portland Prey" in June, but a major life event happened.
My mom died. Many of you know she'd been very ill and I was gone during June to help my brother and sister-in-law who live in Naples, Florida where mom was in assisted living.
I have a lot to process about losing her, but that is for a different post. I'm just grateful she didn't have to go through hurricane Irma. I don't know what we would have done then. I'm also so grateful for my sibs who cared for her during a difficult period.
After mom died at the end of July, the sibs and I were busy with all that death demands. I spent a lot of time working on her obituary and trying to capture who she was. That was about the only writing I did for a month.
I'd finished writing "Portland Prey" in June, but I had no focus nor energy to copy edit, check facts, format, and find authors to write blurbs or testimonials for the story. I researched the next noir. I went out to lunch with my pals. I did my paying job. I watched Ray Donavan.
Now I’m coming out of the fog of Mom’s loss. Thankfully the weather has cooled, my favorite season is upon us, and “Portland Prey” survived, unlike some of its characters.
When I read it over this past month, I loved it even more than when I wrote it. That rarely happens.
I finally gathered the courage to ask two people for blurbs and I was honored to receive this one from Tim Applegate, author of Fever Tree:
‘Portland Prey’ is a swift, seductive, menacing tale of extortion and murder that assuredly carries forward Revenge in Paris, Valerie Brooks' scintillating debut installment in her Noir Travel Story Series. Like the great James M. Cain, Brooks strips her story down to the bare essentials, effortlessly blending classic noir (an urban setting, unexpected narrative detours, a suspicious money trail) with uniquely modern components, including a professional computer hacker, Snapchat, and the Ashley Madison dating site. With its breakneck pace, intriguing cast of characters, and unabashed eroticism, ‘Portland Prey’ is a wild, wicked, and utterly delightful ride.
When the cover design is finished, I'll publish “Portland Prey” in ebook form and let you know when it's available. Until then, here are a few of the Portland settings in the story. Portland is rich with choices, but I decided to stay in the downtown area for the urban, atmospheric setting.
|Hotel deLuxe (photo: Kirsten Steen)|
A QUIZ AND A PRIZE
The famous round bed in this photo, one of the settings in “Portland Prey,” is in what hotel?
If you know the answer, EMAIL ME. Please! Do not put your answer in the comment section below. That could give everyone who reads this blog the answer. Those who have the right answer will have their name put in a hat (yes, I actually use a hat) and a winner will be drawn for a special prize.
By the way, remember that cute little puppy we brought home last year? Well, Stevie wants to say hi to you!
I love when you comment. I'd also like your ideas. If you have something you'd like me to write about, please let me know. Also, if you just want some love, comment and I'll write back. You keep me going.
I’m thrilled to be in your world! Thanks so much for being in mine.
7 Reasons to Sign Up for My Newsletter, Freebies and the Latest News!
Sisters. Revenge. Murder.
Hi Gobsmacked Loyalists!
I launched my NOIR TRAVEL STORY SERIES with “Revenge in Paris,” and the reviews are streaming in! Here's one that gave me the good kind of goosebumps.
Do you have post-holiday hangover? Maybe you need to hunker down. If so, just make sure you read “Revenge in Paris”, the first installment in the travel noir series by Valerie J. Brooks. This story isn’t a marathon–it’s a fast-paced, sweaty-palms, heart-racing holiday sprint around the festive City of Light, told through the eyes of a wannabe killer. The plot winds through Parisian streets and cafes and museums, and into the crooks and crannies of the cold, calculating, passionate, and unmedicated mind of “Helen Craig”. You’ll wince at the glitter and feel the crush of holiday crowds. You’ll want to get up and pour yourself a Scotch. But don’t bother to guess the finale. Brooks will ambush you with it.
—Tom Titus, author of Blackberries in July: A Forager's Field Guide to Inner Peace
I’m ready to pour myself a whiskey and salute Tom!
Yes, I'm doing it again. This time I'm giving away an Amazon Kindle Paperwhite (or an e-reader of your choice)! Get in on this. Drawing takes place around the Ides of March.
GIVE A FREEBIE to FRIENDS!
Don't you just love freebies? Well, here's one that will make you feel good. Send this postcard to friends and family! They get the free story "Revenge in Paris" and are entered in the drawing for an e-reader!
Spread the love. Just drag and drop the postcard below into an email and add your own personal message. Don't forget Valentine's Day! What better way to say I love you than to send them a story of revenge and murder?
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- If you missed downloading the free first story "Revenge in Paris"
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I love the dark. How about you?
p.s. "Revenge in Paris" will soon be available at your favorite bookseller site. Stay tuned!