It’s that time of year again! That most glorious time each summer when for one magical week the Capital Fringe festival is extended. It’s a great chance to see the hit Fringe shows you missed or revisit ones you loved. For us, however, the most exciting prospect of Extension Week is resurgence of our favorite game […]
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An Octoroon is a big play. It makes you sit up and take notice. It makes you laugh and it makes you wince. More often than not it makes you squirm uncomfortably. I’d say that it is that rare conundrum of a play: a mirror held up to our current society but loaded with poetry […]
The post Woolly Mammoth’s remount of An Octoroon (review) appeared first on DC Theatre Scene.
Rodgers and Hammerstein, the team which gave us Carousel! Sound of Music. Oklahoma! South Pacific. The King and I, undoubtedly have one of the most celebrated musical theatre canons in the world. Even their lesser musicals contain gems, as famed director Walter Bobbie realized when he curated the revue A Grand Night for Singing. Originally presented […]
The post Rodgers and Hammerstein’s A Grand Night for Singing (review) appeared first on DC Theatre Scene.
In their first original piece in five years, Synetic Theater tells a grand story, from humanity’s flawed origin all the way to an ignominious end. The non-stop display of physical prowess and intelligent design is entrancing, even as the show urges you to get up and do something about the state of the world. To […]
The post Synetic’s signature portrait of evil: Mark of Cain (review) appeared first on DC Theatre Scene.